Born in the small Polish city of Rzeszów during the last gasp of the Communist era, Slota immigrated with his family to the United States when he was nine years old. Much of Slota’s fascination with constructed violence, the border between actual physical harm and calculated risk, makes a kind of sense – he was raised in two worlds, one obsessed with order and obedience, the other fascinated by, and teeming with artificial, and highly entertaining, mayhem.
– RM Vaughan
To witness him in action is to join him, whether you like it or not, in disorder, and he maintains a take-no-prisoners stance when it comes to who or what is his target—be it a viewer, a political institution, or himself.
– Patrick J. Reed
My multidisciplinary practice mainly consists of performance and sound, presented in both art spaces and the public sphere. The work addresses the construct of the public persona, the cult of personality that often results, and the underlying motivations of such individuals. I also attempt to disarm systemic and interpersonal violence by mocking it and deploying absurd artistic strategies against it.
In my performances I’m often seeking an intimate connection with the public, simultaneously complicating that intimacy with an uncomfortable and awkward atmosphere. I draw people close by sharing personal stories, gifts, or food, while at the same time revealing the ugly side of personal interactions, filled with power plays, unpleasant innuendos, and literal dirt. I attempt to create a space of tension and imbalance between the audience and myself, a gesture that complicates the reading of my intentions.